Recognition of melodies by absolute pitch- and non absolute pitch possessors
نویسندگان
چکیده
منابع مشابه
Dial A440 for absolute pitch: absolute pitch memory by non-absolute pitch possessors.
Listeners without absolute (or "perfect") pitch have difficulty identifying or producing isolated musical pitches from memory. Instead, they process the relative pattern of pitches, which remains invariant across pitch transposition. Musically untrained non-absolute pitch possessors demonstrated absolute pitch memory for the telephone dial tone, a stimulus that is always heard at the same absol...
متن کاملMusical pitch identification by absolute pitch possessors.
Musical pitch identification was investigated in two experiments in which absolute pitch (AP) possessors and nonpossessors categorized tones presented in isolation into predetermined pitch classes. Stimuli consisted of 60 different tones per octave (at intervals of 20 cents). The experiments were designed to minimize the possibility that subjects could use strategies other than AP in perfi~rmin...
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The simplest and likeliest assumption concerning the cognitive bases of absolute pitch (AP) is that at its origin there is a particularly skilled function which matches the height of the perceived pitch to the verbal label of the musical tone. Since there is no difference in sound frequency resolution between AP and non-AP (NAP) musicians, the hypothesis of the present study is that the failure...
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Absolute pitch (AP) is the ability to identify the frequency or musical name of a specific tone, or to identify a tone without comparing it with any objective reference tone. While AP has recently been shown to be associated with morphological changes and neurophysiological adaptations in the planum temporale, a cortical area in the brain involved in speech perception processes, no behavioral e...
متن کاملAbsolute Pitch and L Tone Perception by Non-mu Absolute Pitch Non-tonal
In this paper we investigate whether musically trained nontonal language speakers perceive lexical tone better than their non-musician counterparts. Three groups of English language speakers, non-musicians, musicians, and musicians with absolute pitch (n=24, N=72), were tested for same/different discrimination of Central Thai tone pairs. These were presented in three separate conditions: as spe...
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ژورنال
عنوان ژورنال: The Proceedings of the Annual Convention of the Japanese Psychological Association
سال: 2010
ISSN: 2433-7609
DOI: 10.4992/pacjpa.74.0_1am024